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Soon, we could see more webtoons, like 2017’s Encountered, that feature an avatar of the reader as the protagonist.Īpart from speed, quantity, and affordability, Seok said that “open accessibility” to anyone around the world is webtoons’ strongest feature. Now, webtoons continue to experiment with different executions, incorporating soundtracks featuring K-pop stars, 3D animation, augmented reality technology, and reader interaction. The studio is currently working on 30 different webtoon titles and 15 to 20 episodes are published weekly. “All you really need is a pen to become a webtoon writer or illustrator.”īut he said it’s now much harder to make it on your own, like he did, as the webtoon industry becomes increasingly complex and competitive.Īnt Studio has a “no overtime” policy meant to encourage employees to go home after eight hours on the job, yet writers and illustrators work nonstop. “The entry level for this profession is lower than other professions in the content industry.” “All you really need is a pen to become a webtoon writer or illustrator,” he said. Ant Studio scouted him after seeing his work on webtoon sites. Seok started drawing comics as a hobby, then in his late 20s, he started freelancing as a comic writer and illustrator. “Being introduced to robots like Transformers led to watching a lot of cartoons.” “My father used to give me a lot of toys as gifts whenever he came back from overseas business trips,” he said. He felt out of place and eventually decided to quit to follow his childhood dream. “Most of our employees majored in some kind of graphic illustration in college, but there are those, like me, who merely liked cartoons as a kid,” Seok told VICE.īefore coming to Ant Studio, Seok worked as a product designer at an industrial design firm. According to Lee Hyun-chul, chief operating officer of Ant Studio, producing a webtoon episode only costs around 2 to 3 million South Korean won ($1,767 - $2,651). UNREAL WORLD CULTURES LOCATIONS MOVIEAccording to a 2020 report from the KOCCA, more than half of respondents who pay for webtoons said they spend less than 5,000 South Korean won ($4.5) per month, a fraction of the average movie ticket ($11.50). UNREAL WORLD CULTURES LOCATIONS FREEWebtoons are either free or priced very low. “I usually like to end my days with webtoons. “They provide an escape for me that’s not demanding to my time or wallet.” “I usually like to end my days with webtoons,” he said. He waits for new episodes to drop at 11:30 p.m. “One thing that all these popular webtoons have in common is that they all have sensational storylines,” Lee Do-hyun, a 25-year-old board game developer told VICE while reading webtoons inside a busy cafe in the city of Paju. The scene is from the first episode of The Villainess Turns the Hourglass, a popular time-traveling revenge drama about 70 percent of the most popular webtoons are romantic fantasies, like this. “She seems like a completely different person.” “That’s because I’m not the Aria you know,” Aria said to herself as she walked away. Everyone noticed that she seemed out of character. She calmly asks the maid to tend to her wound, turns to her handsomely dressed family sitting at the same dining table, and asks to be excused. Aria is the daughter of a count, a young woman in a 19th century dress, with long blonde hair and dazzlingly light green eyes. The maid who dropped the glass hastily cleans up the mess upon seeing blood from Aria’s leg. UNREAL WORLD CULTURES LOCATIONS SERIESAccording to a recent report by South Korean newspaper Chosun Ilbo, there are currently over 70 webtoon series and movie adaptations in the works.Ī wine glass falls on the floor and breaks. Meanwhile, Along with the Gods: The Two Worlds, adapted from the webtoon series of the same name, is the third-most watched movie of all-time in South Korea. The international Netflix hit Sweet Home, an apocalyptic horror series about a group of monster-fighting apartment residents, is based on a webtoon. In Seoul, webtoons are everywhere posters are in subway stations, retail stores, and rooms of the most avid fans. Even in Japan, the land of manga and the largest digital comics market in the world, South Korean webtoons hold over a 70 percent market share, according to mobile data provider App Annie. The South Korean webtoon industry was worth approximately $577 million in 2019, according to the Korea Creative Content Agency (KOCCA), and is projected to grow every year. Webtoons thrived as South Korea raced to digitize all forms of content, published on portals like Naver, Daum, and Yahoo! Korea. The modern-day comic book, made especially for computers and smartphones, first became popular in South Korea in the early 2000s, around the same time the country’s comic book industry started to decline. They tell stories of romantic fantasies and action-filled dramas, with episodes published in one vertical strip, like an infinite canvas, rather than pages. ![]()
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